As many times as we’ve heard Morrissey exclaim through multiple songs and various PETA campaigns that meat is, in fact, a murderous act, it’s hard to ignore how cool of a stage prop it can actually be. I mean, who doesn’t like a severed, bloody pig’s head in conjunction with their favorite band? Since 17, Teresa Suarez, aka Teri Gender Bender, founder and guitarist of Mexican garage Punk band, Le Butcherettes, has been using blood and gore for her live performances for reasons that extend far beyond the grotesque, and into the ideals and ethics of the importance of the feminist movement.
With Sylvia Plath, Kathleen Hanna, and Chilean musician and artist, Violeta Parra as ongoing influences. Teri, now 23, has evolved from her days as a teen armed with a guitar and a bloody apron, into a woman who refuses to lose that fiery, teenage angst that continues to spread the word of feminism to whomever is willing to give a shit. Having already completed her sophomore album with fellow band members Lia Braswell (drums), and bassist/The Mars Volta , At The Drive-In guitarist, Omar Rodriguez Lopez, Le Butcherettes’ newest record will be less blood on stage mixed with literary references musically than their debut, SIN SIN SIN, but more references and possible inspiration from living life in a new country on Cry Is For The Flies. We interviewed Teri to find out what’s what.
VICE: You recently played Coachella. How was it?
Teri Gender Bender: It was crazy. We played around 1:55 pm, so it was really hot. I think that the set went by swell. Lia [Braswell, drummer], and Omar [Rodriguez Lopez , who’s on bass now, were fine, the heat didn’t affect them, but the heat got to me. I had a migraine the whole festival and I couldn’t even watch any bands, I had to go lay down in the van and ended up throwing up the whole time, and it happened both weekends.The heat was just terrible. But it was great. I’m not complaining.
Read More
